在《丧钟为谁而鸣》里，海明威的独特艺术风格具体表现为：他运用了一系列独具匠心的时空艺术表现手法，创造了一种新的叙述结构形式。这部堪称海明威最宏伟的长篇巨著，其事件发生的时间极为有限(仅限于3天之内的七十几个小时)；其活动空间十分狭小(除安德烈到戈尔兹总部送信外，仅限于游击队活动的圭达马的一个山谷的上面)其主要人物为数不多(只有一小群游击队员和一个志愿军)．然而作者运用独特的时空艺术处理手法使作品内容的丰富性和人物的复杂性达到了其前所未有的高度．海明威一惯认为：作家应把过去的、现在的,知道的和未来的东西写活，并且要比现存的和实际的更真实．在创作中，他忠实地履行了这个原则，准确地把握了自然时空、现实时空和心理时空3者之间的关系．他以自然时空为基础，通过放大和扩展而变为现实时空，并向人物内心延伸，开掘心理时空．他创造出自己主体的时空尺度，即善于用一种内在固有的尺度来衡量对象．在这部作品中，他运用比从前更有效、更独特的艺术手法，充分表现了人物的价值和生命的意义；他把现实的、历史的、道德的、心理的以及文化的诸多因素融为一 体，表现出一种极高的整体综合能力．许多评论家称《丧钟为谁而鸣》“几乎达到了史诗的规模”1.时空交融的艺术处理手法： 时空交融本是作为物质世界客观存在的基本形式，它是以一定的动态的先后延续(即时间)和上下左右的静态的物与物之间的关系(即空间)来表现出其现实的存在．但是作为艺术作品的时空交融，远比现实中的时空交融要复杂、抽象得多,《丧钟为谁而鸣》在时间的处理上就综合了这诸多因素，因此，它能在有限的横向空问(人物及他们之间的相互关系)和有限的纵段时间(人物之间各种矛盾的变化、发展进程)里容纳重大的历史题材，展示出博大精深的社会内容．在 《丧钟为谁而鸣》这部作品里，海明威总是把处于时空主体的人物放入社会生活的横面和历史的纵段之中，通过生活的表层和深层两方面进行描述，并且常常融进作者自己的主体想象．他打破了人物的自然时间序列和空间界限，把人物的历史、现实、将来融为一体，把人与人、人与物之间纷繁复杂的矛盾和千丝万缕的联系扭结成一张网：以时间为“经”表现事件发展，以人物为 “纬”形成矛盾纠葛，而这些矛盾是以相互冲突和相互依存的形式在作品中展现出来的． 在 《丧钟为谁而鸣》里就刻划人物的空间而言，其范围是相对狭小的，但由于作者善于把人物融于变化,发展的纵段时间里，使得人与人之间的矛盾和联系颇为复杂，从而冲破了空间限制．就相互冲突的几组矛盾来说，乔丹和巴勃罗的矛盾是贯穿整部小说的基本矛盾．其对立转化的过程是以双方在炸桥前后的特定时间以一系列矛盾冲突展开的,其情节发展是通过几个时间段的浓缩而形成“和缓一 紧张一和缓一紧张”的波澜式运动曲线层层推进的．具体来说，乔丹对巴勃罗经历了不信任到犹豫不决到痛恨欲杀，再到欲杀而未杀这几个阶段．与这些矛盾同样并存的还有巴勃罗与众游击队员、彼拉尔与巴勃罗、众游击队员与彼拉尔这几对矛盾。
In "For Whom the Bell Tolls", the Hemingway's unique artistic style specific performance: He used a series of distinctive artistic expression of time and space to create a new narrative structure. Hemingway called this the most ambitious full-length masterpiece, its events occurred at a time is extremely limited (only within 3 days of seventy hours); its very narrow space (in addition to the Golds Andre outside the headquarters of messenger limited to guerrilla activities in Guyana Dama above a valley) whose Zhuyaorenwu one of the few (only a small group of guerrillas, and a volunteer.) However, the use of a unique time and space of the art of handling the work content of the richness and complexity of the characters reached its unprecedented height. A Hemingway used to think: writers should be past, present, and future know what to write, live, and practical than the existing and more real. In writing, he faithfully fulfilled this principle, accurately grasp the natural space-time, real space and psychological space-time relationship between the 3. He is based in natural space, through the amplification and expansion into reality time and space, an extension to the inner person, it is necessary psychological space. He created his main spatial and temporal scales, that is good at using a scale to measure intrinsic objects. In this work, he used more than ever, effective and unique artistic approach, fully demonstrated the value of people and the meaning of life; he real, historical, moral, psychological and cultural factors as financial one, showing a high overall comprehensive ability. Many commentators have said "Whom the Bell Tolls," "almost reached the epic scale of" 1. The art of blending the handling of space and time: space-time blending the material world exists objectively as the basic form, it is based on the sequence of a certain continuation of the dynamic (that time) and up and down around the static relationship between things (the space) to show their real existence. Time and space but as works of art blend, blend time and space than in reality more complex, more abstract, "Whom the Bell Tolls" at the time of treatment on a combination of these factors, therefore, it can in a limited horizontal space Q (figures and the relationship between them) and longitudinal section of the limited time (various contradictions between the characters change, the development process) in the capacity of major historical themes, demonstrating the profound social content. In "For Whom the Bell Tolls," this works, Hemingway always the main character in the space-time cross into the surface of social life and history among the longitudinal section, through the lives of both surface and deep description, and often melt into the main body of the author's own imagination. He broke the people's natural time series and spatial boundaries, the figures of history, reality, the future integration, the people, human and material contradictions between the complex and inextricably linked to kink into a net: time as "by the" performance of events, the characters for "Wei" the formation of the Conflict, and these conflicts and contradictions based on mutual interdependence in the form of work have emerged. In "For Whom the Bell Tolls," to characterize people in space, its range is relatively small, but because of the good at figures and into the change, the development of the longitudinal section of time, so the contradiction between people and contact is quite complex, which broke through the space constraints. Conflicting groups on the contradictions, the contradiction between Jordan and Pablo is the Jibenmaodun throughout the entire novel. The opposite is the process of transformation before and after the two sides in Zhaqiao specific time to start a series of conflicts, and its plot development is concentrated through several time periods and the formation of "a gentle easing tension in a tight one," the waves of type motion curve layers of propulsion. Jutilaishui, Jordan has experienced no confidence in the Pablo hesitate to hate Yusha, to Yusha without killing these stages. And the coexistence of these contradictions as well as Pablo and all the guerrillas, Bi Laer and Pablo, guerrillas and Bi Laer all of these contradictions.
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第1个回答 2011-02-27
In for whom the bell tolls "in, Hemingway's unique artistic style specific performance: he used a series of originality space-time artistic expression, and created a new narrative structure form. This is the most magnificent full-length Hemingway masterpiece, the event of time limited (for three days of seventy hours), Its activity space very narrow (except Andre to gore this letter outside, confined to guerrilla headquarters of the scepter of horse of the activities of a valley) its main characters above a few (only a small fraction of the guerilla and a volunteer). However, the author USES unique space-time processing technique to make work content art the richness and complexity of characters has reached its unprecedented height. Hemingway self-consistent thinks: the writers should have the past and present, know and future write things live, and than the existing and actual more true. In creation, he faithfully fulfilled this principle, accurately grasp the natural space-time, the real time and space and psychological space-time 3 person. The relation between his with natural spacetime as the foundation, through the amplifier and expanding into reality, and to space-time within characters outspread, dig psychological spacetime. He himself create the subject's temporal-spatial scales, namely, is good at with an inner inherent measure object. In this work, he used than ever more effective and more unique artistic techniques, which expresses characters of value and meaning of life, He put the reality and historical, morality, psychological and cultural factors melts into a body, showed an extremely high overall comprehensive ability. Many critics call for whom the bell tolls, "" reached almost epic scale"realistic existence. But as works of art in the space-time blend, far better than reality time-space blend more complicated, abstract, for whom the bell tolls "in time on the processing of integrated the many factors, therefore, it can in limited transverse empty asked (characters and their relationship between) and limited longitudinal time (characters between various contradictions changes, development process) hold major historical subjects, showing the broad and profound social content. In for whom the bell tolls of the works, Ernest Hemingway, always put in spatio-temporal subject characters into social life of horizontal plane and history of longitudinal section in, through the life of the surface and deep in two ways, description, and often melts into the author's own subject imagination. He broke the characters of natural time series and space, the boundary of the history, reality and figure in the future is an organic whole, the human and the human, between people and things complicated contradiction and counless connection snarling into a net: in time" classics "performance events development, take people as" weft "formation, and these contradictions conflict imbroglio in conflict and interdependent form in works shown.restrictions. Just conflict several groups of contradiction speaking, Jordan and pablo contradiction is throughout the whole novel basic contradictions. Its opposition parties in the process of transferring is Fried bridge before and after the specific time by a series of contradiction conflict launch, and the plot development is through several periods of enrichment and form "gentle nervous a gentle a nervous" stir type sports curve lay advance. Specifically, Jordan pablo experienced distrust to hesitate to hate to kill, arrive again to kill and did not kill this several stages. With these contradictions also coexist and pablo and the guerrillas, Pilate lal and pablo, all the guerrillas and Pilate lal these a few of contradictions.
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第2个回答 2011-02-27
In for whom the bell tolls "in, Hemingway's unique artistic style specific performance: he used a series of originality space-time artistic expression, and created a new narrative structure form. This is the most magnificent full-length Hemingway masterpiece, the event of time limited (for three days of seventy hours), Its activity space very narrow (except Andre to gore this letter outside, confined to guerrilla headquarters of the scepter of horse of the activities of a valley) its main characters above a few (only a small fraction of the guerilla and a volunteer). However, the author USES unique space-time processing technique to make work content art the richness and complexity of characters has reached its unprecedented height. Hemingway self-consistent thinks: the writers should have the past and present, know and future write things live, and than the existing and actual more true. In creation, he faithfully fulfilled this principle, accurately grasp the natural space-time, the real time and space and psychological space-time 3 person. The relation between his with natural spacetime as the foundation, through the amplifier and expanding into reality, and to space-time within characters outspread, dig psychological spacetime. He himself create the subject's temporal-spatial scales, namely, is good at with an inner inherent measure object. In this work, he used than ever more effective and more unique artistic techniques, which expresses characters of value and meaning of life, He put the reality and historical, morality, psychological and cultural factors melts into a body, showed an extremely high overall comprehensive ability. Many critics call for whom the bell tolls, "" reached almost epic scale"realistic existence. But as works of art in the space-time blend, far better than reality time-space blend more complicated, abstract, for whom the bell tolls "in time on the processing of integrated the many factors, therefore, it can in limited transverse empty asked (characters and their relationship between) and limited longitudinal time (characters between various contradictions changes, development process) hold major historical subjects, showing the broad and profound social content. In for whom the bell tolls of the works, Ernest Hemingway, always put in spatio-temporal subject characters into social life of horizontal plane and history of longitudinal section in, through the life of the surface and deep in two ways, description, and often melts into the author's own subject imagination. He broke the characters of natural time series and space, the boundary of the history, reality and figure in the future is an organic whole, the human and the human, between people and things complicated contradiction and counless connection snarling into a net: in time" classics "performance events development, take people as" weft "formation, and these contradictions conflict imbroglio in conflict and interdependent form in works shown.restrictions. Just conflict several groups of contradiction speaking, Jordan and pablo contradiction is throughout the whole novel basic contradictions. Its opposition parties in the process of transferring is Fried bridge before and after the specific time by a series of contradiction conflict launch, and the plot development is through several periods of enrichment and form "gentle nervous a gentle a nervous" stir type sports curve lay advance. Specifically, Jordan pablo experienced distrust to hesitate to hate to kill, arrive again to kill and did not kill this several stages. With these contradictions also coexist and pablo and the guerrillas, Pilate lal and pablo, all the guerrillas and Pilate lal these a few of contradictions.
第3个回答 2011-02-27
World Folk Music
World on how many kinds of music? This is a very difficult question to answer. The easiest answer can be Chinese music and foreign music, or is instrumental and vocal, but it seems too simplistic, not illustrate the problem. If the countries of the world there are more than 100 kinds of music. But the problem is that some countries, though different, but basically the same music, and some Although it is one country, the internal race, ethnicity, culture vary greatly, the music is often very different ...
Latin American music
Latin America including Mexico, Central America, South America and the Caribbean, this region contains a rich cultural and musical heritage. Central America and parts of the Amazon basin Indians living in lowland areas; Mexico, Guatemala, the lives of aboriginal Andes; the Caribbean, Ecuador, Guyana, French Guinea, Venezuela, Colombia and Brazil, non-Northeast American, as well as scattered in South America speak Spanish and Portuguese immigrant, and their different but it is also controlled by the Latin American unity and the development of folk music.
Asia-Pacific countries Music
Music for its own expressions, tone, intensity, and to the use and control of many of these is the oriental music very seriously. Asian Music Another common feature is not sensitive clever use of a certain pitch Hitting instruments. Whether in the East or the West point of view, the goal of the same music we are the common pursuit. We should be talking about integration rather than impact. Allow integration of different traditions into a new mainstream, all the music will be integrated into the concept of a huge tide of the music. But we also need to identify every culture in order to maintain its identity.
Indian music
Thoughts on the music of India in the world of folk music in the 100 Garden, Indian music is a kind of a long history and rich tradition, distinctive music, in its several hundred years of British colonial rule did not assimilation, in very difficult conditions compared and the preservation of integrity. But also some European instruments will be further assimilation of India's musical instruments, which can not but say that the history of human culture is a miracle, so why can not but arouse people to think deeply.
European folk music
Europe's Iberian Peninsula Spain, Portugal music, Western music on the one hand and the same with the general common, on the other hand, the legacy of the ethnic music of the impact of unique. Both the scale, melody or rhythm, harmony, singing and voice, in many ways have shown the rest of Europe are not factors. Particularly its rhythm, a lot of three beat of music, but not as monotonous Waltz, but more delicate and more dynamic.
Celtic music
Celtic traditional music is song-based, and to express the love and heroic legend mainly spend a huge amount of quickstep dance and dance tunes played rotary instrument. Linked to a series of musical instruments, like the drum-like handheld Poncelet amid drum and a wide range of instruments in solo or small portfolio often been used by musicians. Modern Celtic music from the New Age types are a major impact, and in the pop and rock is the influence of two ways.
World on how many kinds of music? This is a very difficult question to answer. The easiest answer can be Chinese music and foreign music, or is instrumental and vocal, but it seems too simplistic, not illustrate the problem. If the countries of the world there are more than 100 kinds of music. But the problem is that some countries, though different, but basically the same music, and some Although it is one country, the internal race, ethnicity, culture vary greatly, the music is often very different ...
Latin American music
Latin America including Mexico, Central America, South America and the Caribbean, this region contains a rich cultural and musical heritage. Central America and parts of the Amazon basin Indians living in lowland areas; Mexico, Guatemala, the lives of aboriginal Andes; the Caribbean, Ecuador, Guyana, French Guinea, Venezuela, Colombia and Brazil, non-Northeast American, as well as scattered in South America speak Spanish and Portuguese immigrant, and their different but it is also controlled by the Latin American unity and the development of folk music.
Asia-Pacific countries Music
Music for its own expressions, tone, intensity, and to the use and control of many of these is the oriental music very seriously. Asian Music Another common feature is not sensitive clever use of a certain pitch Hitting instruments. Whether in the East or the West point of view, the goal of the same music we are the common pursuit. We should be talking about integration rather than impact. Allow integration of different traditions into a new mainstream, all the music will be integrated into the concept of a huge tide of the music. But we also need to identify every culture in order to maintain its identity.
Indian music
Thoughts on the music of India in the world of folk music in the 100 Garden, Indian music is a kind of a long history and rich tradition, distinctive music, in its several hundred years of British colonial rule did not assimilation, in very difficult conditions compared and the preservation of integrity. But also some European instruments will be further assimilation of India's musical instruments, which can not but say that the history of human culture is a miracle, so why can not but arouse people to think deeply.
European folk music
Europe's Iberian Peninsula Spain, Portugal music, Western music on the one hand and the same with the general common, on the other hand, the legacy of the ethnic music of the impact of unique. Both the scale, melody or rhythm, harmony, singing and voice, in many ways have shown the rest of Europe are not factors. Particularly its rhythm, a lot of three beat of music, but not as monotonous Waltz, but more delicate and more dynamic.
Celtic music
Celtic traditional music is song-based, and to express the love and heroic legend mainly spend a huge amount of quickstep dance and dance tunes played rotary instrument. Linked to a series of musical instruments, like the drum-like handheld Poncelet amid drum and a wide range of instruments in solo or small portfolio often been used by musicians. Modern Celtic music from the New Age types are a major impact, and in the pop and rock is the influence of two ways.
参考资料：百度一下
本回答被网友采纳第4个回答 2011-03-12
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