觅ONE OK ROCK这个乐队的详细资料

就是要ONE OK ROCK这个乐队的详细资料···有日文或中文官网地址更好

主唱:TAKA,
生日:1988.4.17
东京都出生
吉他&RAP:TORU,
生日:1988.12.7
大阪府出生
吉他:ALEX,
生日:1988.3.19
美国San Froncisco[旧金山]出生
BASS:RYOTA,
生日:1989.9.4
大阪府出生
鼓手:TOMOYA
生日:1987.6.27
横滨出生
乐队经历:
ONE OK ROCK也许刚看到这名字都不认识,但说到他们的主唱森内贵宽[Taka],只要是J家的饭70%的人都该知道他吧,曾经是NEWS的一员,父亲也是有名的歌手,弟弟也进了J家,一家都是艺人呢~进J家的确是个成名的好方法,而且他也作为NEWS的一员出道了,但之后他以学业为重的理由退出了NEWS,退出了J家,之后重新组了一个ROCK的乐队,
在2006年推出了第一张单曲<ONE OK ROCK>在日本大受好评,随后在同年又推出了<KEEP IT REAL>,
在2007的4月鼓手TOMOYA正式加入,4月25日推出的<内秘心书>同样大受好评,
听了他们的歌感觉很有活力,在ROCK中参加了时尚的RAP,很有爆发力,有着很好的声线,现在这种状态,觉得更适合他,觉得森内离开了J家反而得到了更好的发展呢,比起NEWS,他更适合ROCK。

官方网站:http://www.oneokrock.com/index.php

对了·森内现在在oor里面叫森田了~

参考资料:http://baike.baidu.com/view/1388760.html

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第1个回答  2008-07-14
只有英文的,行么?
Rock music is a form of popular music with a prominent vocal melody accompanied by guitar, drums, and bass. Many styles of rock music also use keyboard instruments such as organ, piano, or synthesizers. Rock music usually has a strong back beat, and often revolves around guitar, either electric or acoustic.

Rock music has its roots in 1950s-era rock and roll and rockabilly. In the late 1960s, rock music was blended with folk music to create folk rock, blues to create blues rock and with jazz, to create jazz-rock fusion, and without a time signature to create psychedelic rock. In the 1970s, rock incorporated influences from soul, funk, and latin music. Also in the 1970s, rock developed a number of subgenres, such as soft rock, heavy metal, hard rock, progressive rock, and punk rock. Rock subgenres from the 1980s included synth-rock, hardcore punk and alternative rock. In the 1990s, rock subgenres included grunge-style rock, britpop, indie rock, piano rock, and nu metal.

Rock 'n' roll came from rhythm and blues (R'n'B), country, and in turn its influence fed back to these cultures, a process of borrowings, influences that continue to develop rock music. Rock 'n' roll had runaway success in the U.S. and brought R'n'B-influenced music to an international audience. Its success led to a dilution of the meaning of the term "rock and roll", as promoters were quick to attach the label to other commercial pop.

Rock 'n' roll started off in the early-to-mid 1950s in the United States. African-American artists such as Chuck Berry, Little Richard, Bo Diddley, and Fats Domino played predominantly to African American crowds. While these key early rockers were indisposed to racism, local authorities and dance halls were very much divided upon racial lines.

Mainstream acceptance of rock and roll came in the mid-1950s when what Bo Diddley describes as 'ofay dudes' (or whites) signed to major labels and started covering their material. Elvis Presley and Bill Haley & His Comets, Buddy Holly, The Big Bopper, Jerry Lee Lewis and Johnny Cash often toured and played together in dance halls and clubs across the US and Britain.

Towards the end of the 1950s "chessboard" crowds (both black and white patrons) would emerge at rock and roll concerts, as fans discovered the original artists of the songs they knew from television and the radio, such as Little Richard's "Tutti Frutti". The genre ignited British enthusiasm for rhythm
In the United Kingdom the trad jazz movement brought visiting blues music artists to Britain. Lonnie Donegan's 1955 hit "Rock Island Line" was a major influence, and helped to develop the trend of skiffle music groups throughout the country, including John Lennon's the Quarry Men, the 1957 precursor to The Beatles. Britain developed a major rock and roll scene, without the race barriers which kept "race records" or rhythm and blues separate in the U.S.

Cliff Richard had the first British rock 'n' roll hit with "Move It", effectively ushering in the sound of British rock. At the start of the 1960s, his backing group The Shadows was one of a number of groups having success with surf music instrumentals. And while rock 'n' roll was fading into lightweight pop and schmaltzy ballads, at clubs and local dances British rock groups, heavily influenced by blues-rock pioneers like Alexis Korner, were starting to play with an intensity and drive seldom found in white American acts.

By the end of 1962, the British rock scene had started, with groups drawing on a wide range of American influences including soul music, rhythm and blues and surf music. Initially, they reinterpreted standard American tunes, playing for dancers doing the twist, for example. These groups eventually infused their original rock compositions with increasingly complex musical ideas.

The Beatles brought together an appealing mix of image, songwriting and personality, and achieved an unprecedented level of worldwide popularity. In mid-1962 The Rolling Stones started as one of a number of groups increasingly showing blues influence, along with The Animals and The Yardbirds. In late 1964, The Kinks, The Who and The Pretty Things represented the new Mod style. Towards the end of the decade, British rock groups began to explore psychedelic musical styles that made reference to the drug subculture and hallucinogenic experiences.

After their initial success in the UK, the Beatles launched a large-scale US tour to a frenzy of fan interest known as Beatlemania, which spread worldwide with the Beatles' first visit to the US in 1964 including their debut on the Ed Sullivan Show on 9 February 1964. In the wake of Beatlemania, other British bands headed to the US, notably the Rolling Stones, the Animals, and the Yardbirds.

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