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Yang Lijun, known as the "Butterfly皇后", is a famous Chinese dancer and choreographer. She was born in Yunnan Province and started to learn dance at the age of 13, joining the dance troupe of the Kunming Theatre at the age of 17. She quickly became one of the best dancers and was selected to perform in many international dance festivals.
Yang Lijun's dance style is known for its expressiveness and flexibility, with a focus on the beauty and gracefulness of the body. Her most famous work is "Butterfly Love Butterfly", which tells the story of a butterfly's love for a butterfly. This dance work has become one of the most popular dance works in China and has been performed thousands of times in many cities and countries.
In addition to her dance career, Yang Lijun is also known for her unique lifestyle. She has never married and has no children, choosing instead to focus on her dance career and personal interests. She is also a supporter of animal rights and has organised several fundraising events for animal protection.
Yang Lijun has received numerous awards and honours for her contributions to the dance world, including the Lifetime Achievement Award from the Ministry of Culture of China and the Order of Cultural Commendation from the Prime Minister of Japan. Her influence on Chinese dance is profound, and she is considered one of the most important figures in the history of Chinese dance.
Yang Lijun's dance style is known for its expressiveness and flexibility, with a focus on the beauty and gracefulness of the body. Her most famous work is "Butterfly Love Butterfly", which tells the story of a butterfly's love for a butterfly. This dance work has become one of the most popular dance works in China and has been performed thousands of times in many cities and countries.
In addition to her dance career, Yang Lijun is also known for her unique lifestyle. She has never married and has no children, choosing instead to focus on her dance career and personal interests. She is also a supporter of animal rights and has organised several fundraising events for animal protection.
Yang Lijun has received numerous awards and honours for her contributions to the dance world, including the Lifetime Achievement Award from the Ministry of Culture of China and the Order of Cultural Commendation from the Prime Minister of Japan. Her influence on Chinese dance is profound, and she is considered one of the most important figures in the history of Chinese dance.
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第1个回答 2013-10-17
As we known .yang li ping is a famous dancer both at home and abroad. She is from the Bai ethnic group. She has won a reputation for being the Spirit of Dance due to her charming performances, such as Two Trees, and Moonlight. One of the most successful and influential of these works was The Soul of the Peacock.
第2个回答 2013-10-17
One of China’s renowned dancers, both at home and abroad, Yang Liping is from the Bai ethnic group. She has won a reputation for being the Spirit of Dance due to her charming performances, such as The Soul of the Peacock, Two Trees, and Moonlight.
Although born in Dali, at the age of nine Yang moved with her family to Xishuangbanna. Because of her extraordinary gift, she was chosen to join the Xishuangbanna Song and Dance Troupe when she was 13 years old. She became famous overnight for her performance in the Dai dance drama, The Peacock Princess. In 1988, she entered the China Central Song and Dance Ensemble of Nationalities. At the Second National Dance Contest, her dance The Soul of the Peacock, that she choreographed and performed herself, outshone all the other dances and reaped two first prizes, one for choreography and the other for her performance of the piece. A shining star was on the rise. Since then, she and her dances have been frequently shown on TV.
“I naturally became interested in dance,” said Yang when interviewed. “The Bai people love nature and advocate the essence of life. So, they usually express their affection for nature and life through singing and dancing.” The first time she performed the dance The Soul of the Peacock, Yang said, “I felt as if spiders and elephants were all around me as I stood on top of an earth mound in my hometown.”
Yang’s dances boast a lyrical touch, which often abandon trivial realities and meretricious expressions. What’s left in her dances are various moves that form silhouettes of a tree, a fish, a bird, or a snake against the backdrop of a moon as depicted in her dance Moonlight. It is said that Yang, with her dances, invites audiences to journey to a fairyland with blooming flowers, singing birds, and running beasts. She gives life to those creatures with her emotional and expressive body language, and communicates with them.
No speech is needed in dance. She rarely separates her everyday life from the world of dance. Yang is a taciturn person, and finds it difficult to communicate with others. When she does speak, she mostly speaks to herself; and what she says usually concerns dance.
This is Yang Liping, who lives for dance.
Although born in Dali, at the age of nine Yang moved with her family to Xishuangbanna. Because of her extraordinary gift, she was chosen to join the Xishuangbanna Song and Dance Troupe when she was 13 years old. She became famous overnight for her performance in the Dai dance drama, The Peacock Princess. In 1988, she entered the China Central Song and Dance Ensemble of Nationalities. At the Second National Dance Contest, her dance The Soul of the Peacock, that she choreographed and performed herself, outshone all the other dances and reaped two first prizes, one for choreography and the other for her performance of the piece. A shining star was on the rise. Since then, she and her dances have been frequently shown on TV.
“I naturally became interested in dance,” said Yang when interviewed. “The Bai people love nature and advocate the essence of life. So, they usually express their affection for nature and life through singing and dancing.” The first time she performed the dance The Soul of the Peacock, Yang said, “I felt as if spiders and elephants were all around me as I stood on top of an earth mound in my hometown.”
Yang’s dances boast a lyrical touch, which often abandon trivial realities and meretricious expressions. What’s left in her dances are various moves that form silhouettes of a tree, a fish, a bird, or a snake against the backdrop of a moon as depicted in her dance Moonlight. It is said that Yang, with her dances, invites audiences to journey to a fairyland with blooming flowers, singing birds, and running beasts. She gives life to those creatures with her emotional and expressive body language, and communicates with them.
No speech is needed in dance. She rarely separates her everyday life from the world of dance. Yang is a taciturn person, and finds it difficult to communicate with others. When she does speak, she mostly speaks to herself; and what she says usually concerns dance.
This is Yang Liping, who lives for dance.
