The language of music
发表于：2008年7月3日 14时0分48秒来源：阅读(7)评论(1) 举报本文链接：http://user.qzone.qq.com/191060666/blog/1215064848
The language of music
A painter hangs his or her finished pictures on a wall, and everyone can see it. A composer writes a work, but no one can hear it until it is performed. Professional singers and players have great responsibilities, for the composer is utterly dependent on them. A student of music needs as long and as arduous a training to become a performer as a medical student needs to become a doctor. Most training is concerned with technique, for musicians have to have the muscular proficiency of an athlete or a ballet dancer. Singers practice breathing every day, as their vocal chords would be inadequate without controlled muscular support. String players practice moving the fingers of the left hand up and down, while drawing the bow to and fro with the right arm—two entirely different movements.
Singers and instruments have to be able to get every note perfectly in tune. Pianists are spared this particular anxiety, for the notes are already there, waiting for them, and it is the piano tuner’s responsibility to tune the instrument for them. But they have their own difficulties; the hammers that hit the string have to be coaxed not to sound like percussion, and each overlapping tone has to sound clear.
This problem of getting clear texture is one that confronts student conductors: they have to learn to know every note of the music and how it should sound, and they have to aim at controlling these sound with fanatical but selfless authority.
Technique is of no use unless it is combined with musical knowledge and understanding. Great artists are those who are so thoroughly at home in the language of music that they can enjoy performing works written in any century
i love music
音乐的语言
一个画家悬挂他的或她在一面墙壁上的完成照片,而且每个人能见到它。 一个作曲家写一个工作，但是没有人能听到它，直到它被运行。专业的歌手和运动员有很棒的职责,因为作曲家完全地依赖他们。一位音乐需要的学生同样地渴望和如费力的训练当一位医学的学生需要成为一位医生，成为一个表演者。 大多数的训练与技术有关系,因为音乐家必须有运动员或一芭蕾舞舞者的强壮精通。 歌手练习每天呼吸,如他们的声音弦会不需要受约束的强壮支持就是不充分的。 线当画那条线的时候，运动员上下地练习移动左手的手指来回以右手臂- 二完全不同的运动弓。
歌手和工具必须能够在歌曲中完全地拿每个笔记。 钢琴家被宽恕特别的焦虑,对于笔记在那里是已经,等候他们,而且它是钢琴调音师的职责为他们调节工具。 但是他们有他们自己的困难; 击中线的槌必须被哄不要再听起来像敲打一样, 和每个交叠处理明暗必须听起来清楚。
有清楚的质地这一个问题是一个面对学生领导者: 他们必须学习知道音乐的每个笔记，而且它应该如何听，而且他们必须针对和狂热的但是不顾自己的权威控制这些声音。
除非它被和音乐的知识和理解结合，否则技术没有用。很棒的艺术家是那些是如此的彻底地在家以音乐的语言以致于的人他们能喜欢表演在任何的世纪内被写的工厂
i 爱音乐
一个画家把它画完的话挂在墙上，人人都能看得到。一个作曲家写了一首曲子，没人能听得到，除非他把它表演出来。专业的歌手和表演者都有巨大的责任，就因为作曲家完全的一看他们。一个音乐学生需要长时间的且艰辛的训练变成一个表演者，就像一个医学的学生需要变成一个医生。许多的训练都联系着技术，一个音乐家要有舞蹈家和运动员的一般肌肉。音乐家每天都在练习呼吸，就像他们的发音没得到肌肉的支持就会发音不合适。附丝带的玩家练习他的手上的姿势，动作往那边。
歌手和道具一定要取得曲子里的每一个音符。为准备这钢琴家特别的焦急，因为音符已经在这，等待着他们，道具跟上音符那是钢琴家的责任。但是他们有他们的困难；
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