能不能直接把文本放在回答窗口里?不要连接到某些网站．
谢谢大家的帮忙了
http://shooter.cn/sub/detail.html?id=47895&film=CSI%20S01E19-E23/犯罪现场调查%20第一季%20第十九集到第二十三集
这个网站还可以下别的,如果不是,你再找找看,应该有的.
这个网站还可以下别的,如果不是,你再找找看,应该有的.
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第1个回答 2007-11-06
。。。粘贴不下这么多。。。还是得麻烦您去链接里面看
SCENE #01:
[EXT. ROADWAY -- NIGHT]
(Women are laughing. A car, Nevada license #OVK 195, drives by. There are two
women inside the car.)
CHARLOTTE: That club was hot!
LISA: We're just warming up, my girl.
(LISA turns the car and CHARLOTTE doesn't recognize where they are.)
CHARLOTTE: Wait, wait, wait. I don't think this is the right way.
LISA: (turns to look at CHARLOTTE) It's a shortcut.
(She laughs.)
CHARLOTTE: A shortcut to where?
(The car hits over something.)
CHARLOTTE: Stop. Stop the car.
LISA: It was just a pothole.
(CHARLOTTE looks back. LISA looks in the mirror.)
CHARLOTTE: I think you hit someone.
(The tires screech as she stops the car.)
CUT TO:
SCENE #02:
[EXT. ROADWAY -- NIGHT]
(The ambulance drives off. The road has been taped off and OFFICERS and other
Emergency Personnel walk around.)
(GRISSOM and SARA get out of the vehicle and make their way toward SGT. O'RILEY
who fills them in.)
SGT. O'RILEY: Blonde behind the wheel. Girlfriend in the passenger seat called
it in. Vehicular manslaughter.
(GRISSOM looks at the body down on the roadway. WARRICK snaps a photo. SARA
leans over to look at what he's photographing. There are three evidence markers
on the roadway, #2-#4, marking pieces of a car taillight.)
SARA: Taillight?
WARRICK: Yeah.
(GRISSOM shines the flashlight in the plastic bag to show the beer inside.)
GRISSOM: You been drinking, Warrick?
WARRICK: No. I'm having a block party. I marked it where I found it -- over on
the sidewalk over there.
(WARRICK points to the side. GRISSOM and SARA both turn to look at the body.
They put their kits down.)
(GRISSOM lifts the boy's shirt to expose his chest. SARA takes photos of the
chest.)
GRISSOM: Two distinct tire treads -- one wide ... one narrow.
SARA: Given the extensive bruising from the wide tread mark, victim was killed
by a larger vehicle. Not that compact.
(GRISSOM takes off his glasses and looks over at SGT. O'RILEY who is walking
toward the car with the two girls. He stops and turns around when GRISSOM calls
to him.)
GRISSOM: Hey, O'Riley, I wouldn't book those suspects just yet. I think they
ran over a corpse.
HARD CUT TO
END OF TEASER
ROLL TITLE CREDITS
(COMMERCIAL SET)
FADE IN.
SCENE #03:
[EXT. ROADWAY -- NIGHT]
(NICK flashes the siren on and off to get SARA and GRISSOM'S attention. SARA
and GRISSOM head toward the car where NICK and CATHERINE are inside.)
SARA: What's up?
NICK: We got a call about ten minutes ago-- a shooting at Vegas Grounds Coffee
Shop, eighth and main. Multiple fatalities.
CATHERINE: We want this one.
GRISSOM: You guys get over there. Keep me in the loop. Keep the media out of
it.
CATHERINE: Right.
(CATHERINE shifts in her seat and coughs to get GRISSOM'S attention.)
CATHERINE: Hey, remember about three months ago I applied to the American
Academy meeting in Chicago? Well, the deadline for your approval is end of
shift today.
GRISSOM: It's not a problem.
CATHERINE: There's important papers to be presented ...
GRISSOM: You don't have to explain -- Consider it done.
CATHERINE: Thank you.
GRISSOM: Good luck.
(GRISSOM turns to let them leave.)
CUT TO:
SCENE #04:
[INT. CSI - FORENSIC AUTOPSY -- NIGHT]
(DR. ROBBINS goes over his findings with GRISSOM, SARA and WARRICK.)
DR. ALBERT ROBBINS: Printed your hit-and-run. AFIS found a match -- Brian
Clemonds, 22, born in Vegas, and he's deaf.
SARA: You can tell he's deaf by his fingerprints?
DR. ALBERT ROBBINS: Actually, yes -- he was printed as part of a state aid
program in '81. To confirm, I examined his ear canal.
(Quick CGI POV to: Inside the ear to the malleus.)
DR. ALBERT ROBBINS: (v.o.) Normally, the malleus is shaped like a hammer -- a
long, smooth handle connecting to a blunt head -- but Brian's malleus is
knotted, both of them-- birth defect.
(The malleus morphs from normal to deformed. End of CGI POV. Resume to
present.)
GRISSOM: There's a college for the deaf about a mile from where we found him.
WARRICK: So, Brian takes a walk crosses the street, doesn't hear the car, gets
creamed.
SARA: The vehicle -- probably a truck or an SUV, based on the width of the tire
tread-- takes off. Later, along comes a compact - thump -- runs over his dead
body.
DR. ALBERT ROBBINS: Maybe, maybe not.
(DR. ROBBINS lifts up the sheet to show them the right hand.)
DR. ALBERT ROBBINS: See the dried blood on his knuckles? No associated
wounding. Blood's probably not his.
WARRICK: You know what that means -- smackdown -- the kid was in a fight.
SARA: That ended in murder.
GRISSOM: Did you send a sample of his blood to DNA?
DR. ALBERT ROBBINS: When you find the suspect you'll nail him with his own body
fluid.
GRISSOM: Has his family been notified?
DR. ALBERT ROBBINS: Not yet.
CUT TO:
SCENE #05:
[EXT. VEGAS GROUNDS COFFEE SHOP -- NIGHT]
(The ambulance drives away. CATHERINE and NICK walks up the sidewalk to the
coffee shop.)
NICK: One person dead, it's a shame; more than one's a party.
CATHERINE: Get ready to pull a double.
NICK: Thank you.
(CATHERINE and NICK sign in with the OFFICER near the door. They walk into the
crime scene and look around.)
(NICK heads for one of the bodies. He notices the CD player and picks up the
earphones to listen.)
NICK: Speed metal. Couldn't hear a bomb go off over this.
(BRASS walks up to them.)
BRASS: Welcome to the caffeine wars. I got four dead, one on the way to the
hospital. The kid who belonged to those headphones.
CATHERINE: I count two -- where are the others?
BRASS: One behind the counter. One in the back room.
NICK: Guy wasn't light with the ammo. This place is raining shell casings.
(CATHERINE walks up to one of the bodies and recognizes him.)
CATHERINE: Hey, I know this guy.
BRASS: I bet you do. Who doesn't know Frankie Flynn? Used to own the Orpheus.
Lost his gaming license a couple of years ago.
CATHERINE: Oh, yeah. Too many dips in the chips.
BRASS: Yeah, you got that r
NICK: Who's the muscle?
BRASS: This is Al Robson -- Frankie Flynn's bodyguard.
NICK: Cash taken?
BRASS: Till's full, and all the wallets are accounted for. I don't think
anyone was interested in the, uh, cash ... or the coffee.
(NICK and CATHERINE both head for the back of the counter.)
NICK: You're thinking hit?
(BRASS looks around.)
BRASS: Maybe. Frankie drives a bulletproof car. What does that tell you?
(CATHERINE sees the dead girl behind the counter and closes her eyes for a
moment. She sighs.)
NICK: She's probably still in high school.
(CATHERINE turns and heads for the back of the shop. She pushes the door open.
She and NICK both see the other girl dead at the back of the room. NICK groans
at the sight.)
(CATHERINE closes her eyes. NICK walks past CATHERINE to check on the body.)
NICK: Bless her heart.
(He kneels down. BRASS walks into the back.)
CATHERINE: Assuming Flynn was the target, and it was a hit the shooter
followed Flynn ...
(Quick flashback to: [SHOOTER'S POV] of FRANKIE FLYNN and AL ROBSON as they
walk into the coffee shop.)
CATHERINE: (v.o.) ... in the front door ... shot the muscle first ...
(The SHOOTER raises his gun and points at AL ROBSON first. ROBSON reaches for
his gun, but the SHOOTER fires. ROBSON goes down.)
CATHERINE: (v.o.) ... then Flynn ...
(The SHOOTER turns and fires at FLYNN.)
(Cut to: The BOY with the ear phones on senses someone approach him from
behind. He turns.)
CATHERINE: (v.o.) ... and some poor kid minding his own business.
(He stands and the SHOOTER fires.)
(End of flashback. Resume to present.)
CATHERINE: The girls were last.
(Quick flashback to: THE SHOOTER walks around the counter to the first girl
hiding behind the counter. He fires.)
(The final girl hears the gunfire and tries to run out through the back.)
CATHERINE: (v.o.) ... four dead. One is still alive.
(End of flashback. Resume to present.)
(BRASS' beeper goes off. He checks it and reads the message.)
BRASS: Make that five. Guy died on the way to the hospital.
(CATHERINE turns around to look at BRASS.)
CUT TO:
SCENE #06:
[EXT. /INT. CLEMONDS RESIDENCE -- NIGHT]
(GRISSOM and an OFFICER walk up to the door. GRISSOM rings the door bell. The
light goes on inside.)
(The porch light goes on outside and the door opens.)
GRISSOM: Mrs. Clemonds?
MRS. CLEMONDS: Yes?
GRISSOM: My name is Gil Grissom. I'm with the Las Vegas Crime Lab.
(He holds up his ID for her to look at.)
MRS. CLEMONDS: Crime lab?
GRISSOM: May I come in for a minute?
MRS. CLEMONDS: Okay.
(She steps aside and GRISSOM walks into the house. The officer waits outside.
She closes the door. GRISSOM steps inside and looks around. He notices the
bell near the floorboards.)
MRS. CLEMONDS: My son is deaf. That bell is connected to the doorbell.
GRISSOM: The bell sets off vibrations which reverberate on the floorboards so
that he knows someone's at the door.
MRS. CLEMONDS: Yes.
GRISSOM: Mrs. Clemonds, I'm here about your son Brian. There's no easy way to
say this.
(She starts to cry.)
MRS. CLEMONDS: Oh, god, please, no.
GRISSOM: Brian was killed tonight.
MRS. CLEMONDS: No, no, no.
(She slowly sits down on the couch, crying.)
MRS. CLEMONDS: This is my fault.
GRISSOM: No. No, it's not.
MRS. CLEMONDS: When I was pregnant, I had the German measles and the virus took
away his hearing. It's my fault.
GRISSOM: No, Mrs. Clemonds... we think he might have been murdered.
MRS. CLEMONDS: (shakes her head) Murdered?
GRISSOM: Would you like to talk to a Family Services Counselor?
MRS. CLEMONDS: (she laughs weakly) Talking is overrated, Mr. Grissom. Just
find out who did this to my boy. Please.
(He nods slightly.)
CUT TO:
SCENE #07:
[INT. CSI - FORENSIC AUTOPSY -- NIGHT]
(DAVID PHILLIPS assists while DR. ROBBINS goes over the bodies with CATHEIRNE.)
DR. ALBERT ROBBINS: It's been a hell of a night. First the deaf kid, now a
hit. It's going to take a while to process all the bodies.
CATHERINE: What do you know about Flynn?
DR. ALBERT ROBBINS: I always start with the celebrities. Frankie Flynn, 38
gunshot wounds to the head and the abdomen.
CATHERINE: Any bullets recovered?
DR. ALBERT ROBBINS: Only one -- out of the head -- nine-millimeter .357. I
deal with the pin cushions. Ballistics deals with the pins. Shooter could have
saved himself a lot of trouble if he'd waited a month or two.
CATHERINE: Why?
DR. ALBERT ROBBINS: Invasive colon cancer. On his way out.
CATHERINE: Guess he got off easy.
DR. ALBERT ROBBINS: Hmmm.
(CATHERINE turns to the next body.)
CATHERINE: I.D.?
DAVID PHILLIPS: Erin McCarty, 20.
DR. ALBERT ROBBINS: Wonder if she even knew she was pregnant.
CATHERINE: Just keeps getting better. Someone notify the husband?
DAVID PHILLIPS: Cop said she's single -- she lives at home with her mother.
CATHERINE: How far along was she?
DAVID PHILLIPS: About six weeks.
CATHERINE: She knew.
(She shakes her head.)
CUT TO:
SCENE #08:
[INT. VEGAS GROUNDS COFFEE SHOP -- NIGHT]
(NICK takes a picture of evidence markers #3 and #4. He reaches down to get a
swab of the blood on the floor. NICK puts the swab in the box and closes it.)
(Cut to: NICK takes out a bullet casing from the wall. The marker on the wall
reads: NS-12.)
NICK: Another nine-millimeter, just like our casings.
BRASS: Yeah. Nine bullets, all the same caliber. Looks like Robson never got a
shot off. I wouldn't want him as my bodyguard.
(CATHERINE walks in.)
CATHERINE: Need help with the measurements?
BRASS: Sure.
(OFFICER METCALF walks in.)
OFFICER METCALF: Captain, I got the manager outside.
(BRASS walks out to meet with the MANAGER.)
CUT TO:
SCENE #09:
[EXT. VEGAS GROUND COFFEE SHOP - NIGHT -- CONTINUOUS]
(OFFICER METCALF points out the MANAGER to BRASS.)
BRASS: Okay.
OFFICER: That's the guy right there.
BRASS: This one?
OFFICER: Yep. That's the one.
(BRASS clears his throat to get the MANAGER'S attention. CATHERINE and NICK
follow.)
BRASS: I'm Detective Brass. Catherine Willows. Nick Stokes from the crime
lab.
BRAD KENDALL: Brad Kendall. I heard it on the news. They're saying it was
some kind of a hit. Where are Erin and Alice?
BRASS: They didn't make it.
(BRAD KENDALL sighs.)
BRAD KENDALL: Did you call their parents?
NICK: Once the coroner makes a positive I.D. Their families will be notified.
CATHERINE: Shooting occurred around closing time. Is it customary for your
employees to close up?
BRAD KENDALL: (upset) Erin locked up twice a week -- 10:00 on the nose. She
was training Alice - moving on at the end of the month. I can't believe they're
gone.
CUT TO:
[EXT. GILBERT COLLEGE OF THE DEAF - DAY]
SCENE #01:
[EXT. ROADWAY -- NIGHT]
(Women are laughing. A car, Nevada license #OVK 195, drives by. There are two
women inside the car.)
CHARLOTTE: That club was hot!
LISA: We're just warming up, my girl.
(LISA turns the car and CHARLOTTE doesn't recognize where they are.)
CHARLOTTE: Wait, wait, wait. I don't think this is the right way.
LISA: (turns to look at CHARLOTTE) It's a shortcut.
(She laughs.)
CHARLOTTE: A shortcut to where?
(The car hits over something.)
CHARLOTTE: Stop. Stop the car.
LISA: It was just a pothole.
(CHARLOTTE looks back. LISA looks in the mirror.)
CHARLOTTE: I think you hit someone.
(The tires screech as she stops the car.)
CUT TO:
SCENE #02:
[EXT. ROADWAY -- NIGHT]
(The ambulance drives off. The road has been taped off and OFFICERS and other
Emergency Personnel walk around.)
(GRISSOM and SARA get out of the vehicle and make their way toward SGT. O'RILEY
who fills them in.)
SGT. O'RILEY: Blonde behind the wheel. Girlfriend in the passenger seat called
it in. Vehicular manslaughter.
(GRISSOM looks at the body down on the roadway. WARRICK snaps a photo. SARA
leans over to look at what he's photographing. There are three evidence markers
on the roadway, #2-#4, marking pieces of a car taillight.)
SARA: Taillight?
WARRICK: Yeah.
(GRISSOM shines the flashlight in the plastic bag to show the beer inside.)
GRISSOM: You been drinking, Warrick?
WARRICK: No. I'm having a block party. I marked it where I found it -- over on
the sidewalk over there.
(WARRICK points to the side. GRISSOM and SARA both turn to look at the body.
They put their kits down.)
(GRISSOM lifts the boy's shirt to expose his chest. SARA takes photos of the
chest.)
GRISSOM: Two distinct tire treads -- one wide ... one narrow.
SARA: Given the extensive bruising from the wide tread mark, victim was killed
by a larger vehicle. Not that compact.
(GRISSOM takes off his glasses and looks over at SGT. O'RILEY who is walking
toward the car with the two girls. He stops and turns around when GRISSOM calls
to him.)
GRISSOM: Hey, O'Riley, I wouldn't book those suspects just yet. I think they
ran over a corpse.
HARD CUT TO
END OF TEASER
ROLL TITLE CREDITS
(COMMERCIAL SET)
FADE IN.
SCENE #03:
[EXT. ROADWAY -- NIGHT]
(NICK flashes the siren on and off to get SARA and GRISSOM'S attention. SARA
and GRISSOM head toward the car where NICK and CATHERINE are inside.)
SARA: What's up?
NICK: We got a call about ten minutes ago-- a shooting at Vegas Grounds Coffee
Shop, eighth and main. Multiple fatalities.
CATHERINE: We want this one.
GRISSOM: You guys get over there. Keep me in the loop. Keep the media out of
it.
CATHERINE: Right.
(CATHERINE shifts in her seat and coughs to get GRISSOM'S attention.)
CATHERINE: Hey, remember about three months ago I applied to the American
Academy meeting in Chicago? Well, the deadline for your approval is end of
shift today.
GRISSOM: It's not a problem.
CATHERINE: There's important papers to be presented ...
GRISSOM: You don't have to explain -- Consider it done.
CATHERINE: Thank you.
GRISSOM: Good luck.
(GRISSOM turns to let them leave.)
CUT TO:
SCENE #04:
[INT. CSI - FORENSIC AUTOPSY -- NIGHT]
(DR. ROBBINS goes over his findings with GRISSOM, SARA and WARRICK.)
DR. ALBERT ROBBINS: Printed your hit-and-run. AFIS found a match -- Brian
Clemonds, 22, born in Vegas, and he's deaf.
SARA: You can tell he's deaf by his fingerprints?
DR. ALBERT ROBBINS: Actually, yes -- he was printed as part of a state aid
program in '81. To confirm, I examined his ear canal.
(Quick CGI POV to: Inside the ear to the malleus.)
DR. ALBERT ROBBINS: (v.o.) Normally, the malleus is shaped like a hammer -- a
long, smooth handle connecting to a blunt head -- but Brian's malleus is
knotted, both of them-- birth defect.
(The malleus morphs from normal to deformed. End of CGI POV. Resume to
present.)
GRISSOM: There's a college for the deaf about a mile from where we found him.
WARRICK: So, Brian takes a walk crosses the street, doesn't hear the car, gets
creamed.
SARA: The vehicle -- probably a truck or an SUV, based on the width of the tire
tread-- takes off. Later, along comes a compact - thump -- runs over his dead
body.
DR. ALBERT ROBBINS: Maybe, maybe not.
(DR. ROBBINS lifts up the sheet to show them the right hand.)
DR. ALBERT ROBBINS: See the dried blood on his knuckles? No associated
wounding. Blood's probably not his.
WARRICK: You know what that means -- smackdown -- the kid was in a fight.
SARA: That ended in murder.
GRISSOM: Did you send a sample of his blood to DNA?
DR. ALBERT ROBBINS: When you find the suspect you'll nail him with his own body
fluid.
GRISSOM: Has his family been notified?
DR. ALBERT ROBBINS: Not yet.
CUT TO:
SCENE #05:
[EXT. VEGAS GROUNDS COFFEE SHOP -- NIGHT]
(The ambulance drives away. CATHERINE and NICK walks up the sidewalk to the
coffee shop.)
NICK: One person dead, it's a shame; more than one's a party.
CATHERINE: Get ready to pull a double.
NICK: Thank you.
(CATHERINE and NICK sign in with the OFFICER near the door. They walk into the
crime scene and look around.)
(NICK heads for one of the bodies. He notices the CD player and picks up the
earphones to listen.)
NICK: Speed metal. Couldn't hear a bomb go off over this.
(BRASS walks up to them.)
BRASS: Welcome to the caffeine wars. I got four dead, one on the way to the
hospital. The kid who belonged to those headphones.
CATHERINE: I count two -- where are the others?
BRASS: One behind the counter. One in the back room.
NICK: Guy wasn't light with the ammo. This place is raining shell casings.
(CATHERINE walks up to one of the bodies and recognizes him.)
CATHERINE: Hey, I know this guy.
BRASS: I bet you do. Who doesn't know Frankie Flynn? Used to own the Orpheus.
Lost his gaming license a couple of years ago.
CATHERINE: Oh, yeah. Too many dips in the chips.
BRASS: Yeah, you got that r
NICK: Who's the muscle?
BRASS: This is Al Robson -- Frankie Flynn's bodyguard.
NICK: Cash taken?
BRASS: Till's full, and all the wallets are accounted for. I don't think
anyone was interested in the, uh, cash ... or the coffee.
(NICK and CATHERINE both head for the back of the counter.)
NICK: You're thinking hit?
(BRASS looks around.)
BRASS: Maybe. Frankie drives a bulletproof car. What does that tell you?
(CATHERINE sees the dead girl behind the counter and closes her eyes for a
moment. She sighs.)
NICK: She's probably still in high school.
(CATHERINE turns and heads for the back of the shop. She pushes the door open.
She and NICK both see the other girl dead at the back of the room. NICK groans
at the sight.)
(CATHERINE closes her eyes. NICK walks past CATHERINE to check on the body.)
NICK: Bless her heart.
(He kneels down. BRASS walks into the back.)
CATHERINE: Assuming Flynn was the target, and it was a hit the shooter
followed Flynn ...
(Quick flashback to: [SHOOTER'S POV] of FRANKIE FLYNN and AL ROBSON as they
walk into the coffee shop.)
CATHERINE: (v.o.) ... in the front door ... shot the muscle first ...
(The SHOOTER raises his gun and points at AL ROBSON first. ROBSON reaches for
his gun, but the SHOOTER fires. ROBSON goes down.)
CATHERINE: (v.o.) ... then Flynn ...
(The SHOOTER turns and fires at FLYNN.)
(Cut to: The BOY with the ear phones on senses someone approach him from
behind. He turns.)
CATHERINE: (v.o.) ... and some poor kid minding his own business.
(He stands and the SHOOTER fires.)
(End of flashback. Resume to present.)
CATHERINE: The girls were last.
(Quick flashback to: THE SHOOTER walks around the counter to the first girl
hiding behind the counter. He fires.)
(The final girl hears the gunfire and tries to run out through the back.)
CATHERINE: (v.o.) ... four dead. One is still alive.
(End of flashback. Resume to present.)
(BRASS' beeper goes off. He checks it and reads the message.)
BRASS: Make that five. Guy died on the way to the hospital.
(CATHERINE turns around to look at BRASS.)
CUT TO:
SCENE #06:
[EXT. /INT. CLEMONDS RESIDENCE -- NIGHT]
(GRISSOM and an OFFICER walk up to the door. GRISSOM rings the door bell. The
light goes on inside.)
(The porch light goes on outside and the door opens.)
GRISSOM: Mrs. Clemonds?
MRS. CLEMONDS: Yes?
GRISSOM: My name is Gil Grissom. I'm with the Las Vegas Crime Lab.
(He holds up his ID for her to look at.)
MRS. CLEMONDS: Crime lab?
GRISSOM: May I come in for a minute?
MRS. CLEMONDS: Okay.
(She steps aside and GRISSOM walks into the house. The officer waits outside.
She closes the door. GRISSOM steps inside and looks around. He notices the
bell near the floorboards.)
MRS. CLEMONDS: My son is deaf. That bell is connected to the doorbell.
GRISSOM: The bell sets off vibrations which reverberate on the floorboards so
that he knows someone's at the door.
MRS. CLEMONDS: Yes.
GRISSOM: Mrs. Clemonds, I'm here about your son Brian. There's no easy way to
say this.
(She starts to cry.)
MRS. CLEMONDS: Oh, god, please, no.
GRISSOM: Brian was killed tonight.
MRS. CLEMONDS: No, no, no.
(She slowly sits down on the couch, crying.)
MRS. CLEMONDS: This is my fault.
GRISSOM: No. No, it's not.
MRS. CLEMONDS: When I was pregnant, I had the German measles and the virus took
away his hearing. It's my fault.
GRISSOM: No, Mrs. Clemonds... we think he might have been murdered.
MRS. CLEMONDS: (shakes her head) Murdered?
GRISSOM: Would you like to talk to a Family Services Counselor?
MRS. CLEMONDS: (she laughs weakly) Talking is overrated, Mr. Grissom. Just
find out who did this to my boy. Please.
(He nods slightly.)
CUT TO:
SCENE #07:
[INT. CSI - FORENSIC AUTOPSY -- NIGHT]
(DAVID PHILLIPS assists while DR. ROBBINS goes over the bodies with CATHEIRNE.)
DR. ALBERT ROBBINS: It's been a hell of a night. First the deaf kid, now a
hit. It's going to take a while to process all the bodies.
CATHERINE: What do you know about Flynn?
DR. ALBERT ROBBINS: I always start with the celebrities. Frankie Flynn, 38
gunshot wounds to the head and the abdomen.
CATHERINE: Any bullets recovered?
DR. ALBERT ROBBINS: Only one -- out of the head -- nine-millimeter .357. I
deal with the pin cushions. Ballistics deals with the pins. Shooter could have
saved himself a lot of trouble if he'd waited a month or two.
CATHERINE: Why?
DR. ALBERT ROBBINS: Invasive colon cancer. On his way out.
CATHERINE: Guess he got off easy.
DR. ALBERT ROBBINS: Hmmm.
(CATHERINE turns to the next body.)
CATHERINE: I.D.?
DAVID PHILLIPS: Erin McCarty, 20.
DR. ALBERT ROBBINS: Wonder if she even knew she was pregnant.
CATHERINE: Just keeps getting better. Someone notify the husband?
DAVID PHILLIPS: Cop said she's single -- she lives at home with her mother.
CATHERINE: How far along was she?
DAVID PHILLIPS: About six weeks.
CATHERINE: She knew.
(She shakes her head.)
CUT TO:
SCENE #08:
[INT. VEGAS GROUNDS COFFEE SHOP -- NIGHT]
(NICK takes a picture of evidence markers #3 and #4. He reaches down to get a
swab of the blood on the floor. NICK puts the swab in the box and closes it.)
(Cut to: NICK takes out a bullet casing from the wall. The marker on the wall
reads: NS-12.)
NICK: Another nine-millimeter, just like our casings.
BRASS: Yeah. Nine bullets, all the same caliber. Looks like Robson never got a
shot off. I wouldn't want him as my bodyguard.
(CATHERINE walks in.)
CATHERINE: Need help with the measurements?
BRASS: Sure.
(OFFICER METCALF walks in.)
OFFICER METCALF: Captain, I got the manager outside.
(BRASS walks out to meet with the MANAGER.)
CUT TO:
SCENE #09:
[EXT. VEGAS GROUND COFFEE SHOP - NIGHT -- CONTINUOUS]
(OFFICER METCALF points out the MANAGER to BRASS.)
BRASS: Okay.
OFFICER: That's the guy right there.
BRASS: This one?
OFFICER: Yep. That's the one.
(BRASS clears his throat to get the MANAGER'S attention. CATHERINE and NICK
follow.)
BRASS: I'm Detective Brass. Catherine Willows. Nick Stokes from the crime
lab.
BRAD KENDALL: Brad Kendall. I heard it on the news. They're saying it was
some kind of a hit. Where are Erin and Alice?
BRASS: They didn't make it.
(BRAD KENDALL sighs.)
BRAD KENDALL: Did you call their parents?
NICK: Once the coroner makes a positive I.D. Their families will be notified.
CATHERINE: Shooting occurred around closing time. Is it customary for your
employees to close up?
BRAD KENDALL: (upset) Erin locked up twice a week -- 10:00 on the nose. She
was training Alice - moving on at the end of the month. I can't believe they're
gone.
CUT TO:
[EXT. GILBERT COLLEGE OF THE DEAF - DAY]
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