求多篇外国名著之一的英语读后感！

1)The secret garden 秘密花园读后感
Mary Lennox is a sickly, sour-faced little girl born in India to wealthy British parents. Unwanted by them, she has been put into the care of an Ayah from birth and told to keep out of sight lest her appearance upsets her mother and father. When an outbreak of cholera orphans her, she is sent to Misselthwaite Manor, an isolated country house in Yorkshire, England. There, she is left mostly to her own devices, by her father's brother-in-law, Archibald Craven, a widower still mourning his beautiful young wife, who has died ten years earlier. Hoping to escape his painful memories, he travels constantly, leaving the manor in the charge of his housekeeper, the stern Mrs. Medlock. The only person who has any time for the little girl is the chambermaid Martha, who tells Mary about a walled garden that was the late Mrs. Craven's favorite. No one has entered the garden since she died because Archibald has locked its entrance and buried the key in an unknown location.

Mary finds the key and a robin shows her the door to the garden behind some ivy. Once inside, she discovers that although the roses seem lifeless, some of the other flowers have survived. She resolves to tend the garden herself. Although she wants to keep it a secret, she recruits Martha's brother Dickon Sowerby, who has a way with plants and wild animals. Mary gives him money to buy gardening implements and he shows her that the roses, though neglected, are not dead. When Mary's uncle visits the house briefly for the first time since she arrived, Mary asks him for a bit of earth to make a flower garden, and he agrees. Thanks to the invigorating Yorkshire air and her new-found fascination with the garden, Mary herself begins to blossom, and loses her sickly look and unpleasant manner.

One night Mary hears someone weeping in another part of the house. When she asks questions, the servants become evasive and say they cannot hear anything or say that it was the wind. Shortly after her uncle's visit, she goes exploring and discovers her uncle's son, Colin, a lonely, bedridden boy as petulant and disagreeable as Mary used to be. His father shuns him because the child closely resembles his mother. Mr. Craven is a mild hunch back, and is morbidly convinced that Colin will develop the same condition. This fear is shared by Colin who for psychological reasons has never learned to walk. The servants have been keeping Mary and Colin a secret from one another because Colin doesn't like strangers staring at him and is prone to terrible tantrums. Colin, however, accepts Mary and insists on her visiting him often.

As spring approaches, Colin becomes jealous because Mary is spending more time out in the garden with Dickon than indoors with him. One day he voices his resentment and, when Mary resists, he throws a tantrum. To the surprise and amusement of the servants, Mary continues to stand her ground. That evening, Colin has a hysterical fit, brought on by his fear of dying young. Mary goes to him and, again taking a firm, no-nonsense stance with him and to calm him down slaps him in the face and to the servants' surprise, when Mary starts screaming at him, he doesn't object. When he asks if he can visit the garden with her, she agrees, as she and Dickon had been planning to suggest it themselves, feeling that it would do Colin good. Colin's doctor, who is Mr. Craven's brother and Colin's uncle, agrees to have Dickon and Mary take Colin outside in a wheelchair. Colin is delighted with the garden, and visits it with Mary and Dickon whenever the weather allows. As the garden revives and flourishes, so does he. To keep the garden a secret Colin orders everyone to stay away from the path to the Secret Garden.

The first person to discover what the children are doing is the old gardener, Ben Weatherstaff, who was a favorite of Colin's mother. Since her death, he has been visiting the locked garden once or twice a year by secretly scaling the wall with a ladder. When he visits the garden for the first time since Mary's arrival (having had to miss several visits because of rheumatism), he is angry with the children until he sees how improved both the garden and Colin are. Colin orders him not to tell anybody, and he agrees. Colin resolves that the next time his father returns from abroad he will be able to walk and run like a normal boy. He accomplishes this through a combination of simple physical exercise taught by Dickon and positive thinking. He refuses to think of himself as crippled, and he invents a kind of mantra to keep himself in the right, or "magic," frame of mind. He makes great progress, but keeps it hidden from everyone but Mary, Dickon, and Ben, wanting it to be a surprise.

Mr. Craven has been traveling throughout Europe but hurries home after seeing a vision of his dead wife in a dream, imploring him to come to her "in the garden!" When he receives a letter from Martha and Dickon's mother (who also knows the secret) saying "I think your lady would ask you to come if she was here", he decides to return home. He arrives while the children are outdoors. He goes out to see Colin for himself, and finds himself drawn to the secret garden, where he is astonished first to hear children's voices and then to find Colin not only racing Mary and Dickon around the garden, but winning. They take Mr. Craven into the secret garden to tell him everything. Afterwards they walk back to the house, where the servants are astonished to see two miracles: Colin walking and his father looking happy again.

Maytham Hall in Kent, England, where Burnett lived for a number of years during her marriage to Stephen Townesend, is often cited as the inspiration for the book's setting.Burnett kept an extensive garden, including an impressive rose garden. However, it has been noted that besides the garden, Maytham Hall and Misselthwaite Manor are physically very different

2)Peter Pan 彼得 潘
Recently,I have read one of the stories of Peter Pan, which is called
Peter Pan in Kensington Gardens.This story is about Peter is a seven-day-old infant who, "like all infants", used to be part bird. Peter has complete faith in his flying abilities, so, upon hearing a discussion of his adult life, he is able to escape out of the window of his London home and return to Kensington Gardens. Upon returning to the Gardens, Peter is shocked to learn from the crow Solomon Caw that he is not still a bird, but more like a human - Solomon says he is crossed between them as a "Betwixt-and-Between". Unfortunately, Peter now knows he cannot fly, so he is stranded in Kensington Gardens. At first, Peter can only get around on foot, but he commissions the building of a child-sized thrush's nest that he can use as a boat to navigate the Gardens by way of the Serpentine River.

Although he terrifies the fairies when he first arrives, Peter quickly gains favor with them. He amuses them with his human ways, and agrees to play the panpipes at the fairy dances. Eventually, Queen Mab grants him the wish of his heart and he decides to return home to his mother. The fairies reluctantly help him to fly home, where he finds his mother is asleep in his old bedroom.

Peter feels rather guilty for leaving his mother, mostly due to the fact that he believes she misses him terribly. He considers returning to live with her and decides to go back to the Gardens to say his last good-byes. Unfortunately, Peter stays too long in the Gardens and when he uses his second wish to go home permanently he is devastated to learn that, in his absence, his mother has given birth to another boy she can love. Peter returns, heartbroken, to Kensington Gardens.

Peter later meets a little girl named Maimie Mannering who is lost in the Gardens. He and Maimie become fast friends, and little Peter asks her to marry him. Maimie is going to stay with him, but realizes that her mother must be missing her dreadfully, so she leaves Peter to return home. Maimie does not forget Peter, however, and when she is older she makes presents and letters for him. She even gives him an imaginary goat which he rides around every night. Maimie is the literary predecessor to the character Wendy Darling in Barrie's later Peter and Wendy story.

Throughout the novel, Peter misunderstands simple things like children's games. He does not know what a pram is, mistaking it for an animal, and he becomes extremely attached to a boy's lost kite. It is only when Maimie tells him, that he discovers he plays all his games incorrectly. When Peter is not playing, he likes to make graves for the children who get lost at night, burying them with little headstones in the Gardens.

基督山伯爵
he Count of Monte Cristo by Alexandre Dumas père. Highly recommended.

Apart from 'The Three Musketeers', this is probably Alexandre Dumas' most famous work and one of the greatest novels in Western literature: a novel every literate and educated person should read at least once in their lives.

In this story, Edmond Dantes is an innocent man who was caught in the intrigues of Napoleon's escape from Elba and his 100 days of power until Waterloo. A sailor entrusted with a sealed letter of highest importance by his dying captain, Dantes delivers it into the hands of the evil prosecutor Villefort who, for reasons unkown to him, immediately sends him without trial or appeal to spend the rest of his days at the Chateau D'Iffe: a dark and isolated island prison presumed to be inescapable. With the help of Abbot Faria, a dying prisoner who knows the secret of a great hidden treasure on the small islet of Monte Cristo, Dantes escapes and prepares to unleash his revenge on those who did him wrong. For years he spends his time meticulously preparing his vengeful scheme against the treacherous friends and characters who left him to rot in prison for years and years. He refines his arts of disguise, alchemy, and manipulation to content himself with the ruin of his enemies.

Unlike the adventure themes in his works such as 'The Three Musketeers', this story is a deep character study on being the victim of utmost injustice and how cruel revenge is sweet after all: how a wronged man is entitled to become the agent of divine retribution when God and mortal laws have abandoned his cause. The various themes, complex plot, profound character development, and rich prose makes this long work undoubtedly one of the greatest works of literature ever written: Dumas was without question a literary genius.

This is a great story for people of all ages and should not be ignored by anyone who has a profound love of literature. I think this is Dumas greatest work far surpassing 'Queen Margo' 'The Three Musketeers' or 'The Corsican Brothers.'

As translator Robin Buss points out in his introduction, many of those who haven't read The Count of Monte Cristo assume it is a children's adventure story, complete with daring prison escape culminating in a simple tale of revenge. There is very little for children in this very adult tale, however. Instead, the rich plot combines intrigue, betrayal, theft, drugs, adultery, presumed infanticide, torture, suicide, poisoning, murder, lesbianism, and unconventional revenge.

Although the plot is roughly linear beginning with Edmond Dantès' return to Marseille, prenuptial celebration, and false imprisonment and ending with his somewhat qualified triumphant departure from Marseille and France, Dumas uses the technique of interspersing lengthy anecdotes throughout. The story of Cardinal Spada's treasure, the origins of the Roman bandit Luigi Vampa (the least germane to the novel), Bertuccio's tale of his vendetta, and the account of the betrayal and death of Ali Pasha are few of the more significant stories-within-the-novel. While Dumas devotes an entire chapter to bandit Luigi Vampa's background, he cleverly makes only a few references to what will remain the plot's chief mystery-how the youthful, intelligent, and naive sailor Edmond Dantès transforms himself into the worldly, jaded, mysterious Renaissance man and Eastern philosopher, the count of Monte Cristo, presumably sustained by his own advice of "wait" and "hope."

This novel is not a simple tale of simple revenge. The count does not kill his enemies; he brilliantly uses their vices and weaknesses against them. Caderousse's basic greed is turned against him, while Danglars loses the only thing that has any meaning for him. Fernand is deprived of the one thing that he had that he had never earned-his honour. In the process, he loses the source of his initial transgression, making his fate that much more poignant. The plot against Villefort is so complicated that even Monte Cristo loses control of it, resulting in doubt foreign to his nature and remorse that he will not outlive.

This long but generally fast-paced is set primarily in Marseille, Rome, and Paris. It begins with Dantès' arrival in Marseille aboard the commercial vessel Pharaon and ends with his departure from Marseille aboard his private yacht, accompanied by the young, beautiful Greek princess Haydée. What gives The Count of Monte Cristo its life, however, are the times in which it is set-the Revolution, the Napoleonic era, the First and Second Restoration, and the Revolution of 1830. Life-and-death politics motivates many of the characters and keeps the plot moving. Dumas also uses real people in minor roles, such as Countess G- (Byron's mistress) and the Roman hotelier Signor Pastrini, which adds to the novel's sense of historical veracity.

The most troubling aspect of The Count of Monte Cristo is Edmond Dantès himself. His claim to represent a higher justice seems to justify actions and inactions that are as morally reprehensible as those that sent him to prison, for example, his account of how he acquired Ali and his loyalty. Had he not discovered young Morrel's love for Valentine Villefort, she too might have become an innocent victim. As it is, there are at least two other innocents who die, although one clearly would not have been an innocent for long based on his behaviour in the novel. One wonders of Dantès' two father figures, his own flower-loving father and fellow prisoner Abbé Faria, would have approved of the count.

The translation appears to be good, with a few slips into contemporary English idioms that sound out of place. In his introduction, Buss states that the later Danglars and Fernand have become unrecognizable and that Fernand in particular has been transformed "from the brave and honest Spaniard with a sharp sense of honour . . . to the Parisian aristocrat whose life seems to have been dedicated to a series of betrayals." There is never anything honest or honourable about Fernand; his very betrayal of Edmond is merely the first we know of in his lifelong pattern.

What seems extreme and somewhat unrealistic about Fernand is his transformation from an uneducated Catalan fisherman into a "Parisian aristocrat," hobnobbing with statesmen, the wealthy, and the noteworthy of society. This, however, is the result of the milieu that the novel inhabits. During these post-Revolution, post-Napoleonic years, Fernand could rise socially through his military and political accomplishments just as Danglars does through his financial acumen. Danglars is careful to note that the difference between them is that Fernand insists upon his title, while Danglars is openly indifferent to and dismissive of his; his viewpoint is the more aristocratic.

Countess G- is quick to point out that there is no old family name of Monte Cristo and that the count, like many other contemporaries, has purchased his title. It serves mainly to obscure his identity, nationality, and background and to add to the aura of mystery his persona and Eastern knowledge create. What is most telling is that his entrée into Parisian society is based primarily on his great wealth, not his name. Dumas reinforces this point with Andrea Cavalcanti, another mystery man of unknown name and reputed fortune.

I have read The Man in the Iron Mask and The Three Musketeers series, both of which surprised me with their dark aspects (the character and fate of Lady de Winter, for example) and which little resembled the adventure stories distilled from them for children and for film. When I overheard a college student who was reading The Count of Monte Cristo on the bus tell a friend that she couldn't put it down, I was inspired to read it. I couldn't put it down, either, with its nearly seamless plot, dark protagonist, human villains, turbulent historical setting, and larger-than-life sense of mystery. At 1,078 pages, it's imposing, but don't cheat yourself by settling for an abridged version. You'll want to pick up every nuance.

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