第一段:惟有宫崎峻能将一部动画片拍得如此具有艺术性。他的作品风格独特,自成一派。《邻居豆豆龙》(《龙猫》)使我们回到了无忧无虑的童年时代;《天空之城》带我们进行了一次寻找空中浮岛的冒险之旅;《千与千寻》向人们讲述了一个平凡女孩的不凡经历和成长过程;《幽灵公主》和《风之谷》则让我们警醒:人类对环境的破坏如此之甚,而自然界反抗这种破坏的斗争又是如此惨烈……他的作品中有着最清新的画面,最绚丽的色彩,最纯真的微笑,最辽远的想象,最浪漫的意境,还有最优美动听的音乐……宫崎峻的作品内涵丰富、耐人寻味,每看一遍都会有不同的感受。这就是他电影之所以老少皆宜、成为经典的原因之一。它的主题之深刻,内涵之丰富,如同一座取之不尽的巨大宝库,永远具有多重劫夺的可能性。人们可以因为不同的理由喜爱它,可以从不同的角度去理解它。儿童看到的是故事,少年看到的是成长,成人看到的是思想,老人看到的是童趣;同样地,有人欣赏片中美妙绝伦的自然风光,有人憧憬飞翔时的自由惬意,有人幻想浪漫经线的冒险经历,也有人羡慕恬淡自然的田园生活,还有人移情于少年们青涩真挚的恋情……
深深植根于日本文化的土壤之中的宫崎峻动画,其深厚的文化底蕴是迪斯尼动画不能望其项背的。透过精美绝伦的画面,我们看到的是一个自由自在、无拘无束,任心灵驰骋飞翔的宫崎峻,一个不掩饰内心的矛盾与恐惧、执着追寻的宫崎峻,是与童年、梦想、爱同在的宫崎峻。
关键词:宫崎骏 环境保护 人与人之间的情感 异想世界
第2段:1993年推出的定格动画长片《圣诞夜惊魂》一举奠定了蒂姆•波顿世界一流影象美术设计大师的地位。由于他一贯坚持的黑色风格,以及叛逆的叙事主题,蒂姆•波顿为自己赢得了“好莱坞鬼才”的名声。但对于蒂姆•波顿本人,这部《圣诞夜惊魂》占据了他本人1/3的梦想(影片公映时蒂姆•波顿35岁),而最终得以实现,使《圣诞夜惊魂》成为了世界动画史上的一个传奇:无论是在技术还是艺术领域,都反复地被人们所称赞。
蒂姆•波顿一贯坚持黑色幽默风格,在《圣诞夜惊魂》中,黑色幽默的风格贯穿整部影片的始终,惊悚性与喜剧性是整部影篇的生命与灵魂。有别于其他的动画电影的是,《圣诞夜惊魂》中的情节离奇古怪、人物相貌丑陋、造型恐怖,在这个由诸多恐怖和戏剧元素模拟出来的迷你社会里,居民们快乐地生活着,善意地传播着他们的快乐,一种万圣节城的居民所热衷的快乐——制造恐怖。
本文通过对《圣诞夜惊魂》中音乐、角色造型、场景设计、惊悚元素与喜剧元素的分析与思考,力图找出《圣诞夜惊魂》中惊悚与喜剧的完美结合点,以及它是怎样利用惊悚与喜剧给《圣诞夜惊魂》注入生命的。
关键词:《圣诞夜惊魂》 惊悚 喜剧
请翻译成英文
Deeply plant a root at the temple Qi Jun animation in the soil of Japanese culture, it the deep cultural bottom Yun be what Disney animation can't hope its item to carry on the back.Through the elegant and incomparable appearance, what we see be a freedom comfortable and unrestrained, term the mind gallop about to fly of temple Qi Jun, 1 don't cover up heart of antinomy with fear, persist to make track for of temple Qi Jun, is and childhood, dream, love together at of temple Qi Jun.
Keyword:Hayao Miyazaki's environmental protection interpersonal emotion fantasy world
Segment 2:1993 release of settle a space animation long slice 《Christmas night be frightened 》with one action established Di Mu?Wave top-grade the shadow elephant master's position of the art designing in world.Because he be consistent persistence of black style, and revolt of recount topic, Di Mu?The wave won the fame of"the Hollywood be devil of a genius" for oneself.But for the Di Mu?Wave oneself, this 《Christmas night be frightened 》occupied him 1/3 of dream(film Mr. reflect hour Di Mu?Wave be 35 years old), but end can realization, make 《Christmas night be frightened 》became a legend on animation history in the world:Regardless is at a technique still an art realm, drive all again and again people praise.
Di Mu?Wave consistent humor style of the persistence black, in 《 the Christmas the night frightenedly 》 , black the style of the humor pierce through the whole film always, terrible and comedy be whole shadow article of life and soul.BE different from at the other nimation movie of BE, 《Christmas night be frightened 》medium of details odd peculiar, the person looks be ugly, shape terror, in this from manily the terror and the drama chemical element the emulation come out of the mini society, the residents happily life, good intentions ground dissemination their happiness, the residents of a kind of Halloween city bent on of happiness-manufacturing terror.
This text pass a rightness 《Christmas night be frightened 》medium music, role shape, scene design, terrible chemical element and comedy chemical element of analysis and thinking, the dint diagram find out 《Christmas night be frightened 》medium terrible with comedy of perfect combine point, and it how make use of terrible with comedy give 《Christmas night be frightened 》infusion life.
Keyword:《The night of the Christmas is frightened 》 terrible comedy